THEY ALSO SERVE
Why should people hate vultures? After all, a vulture never kills anyone…
The Project Gutenberg EBook of They Also Serve, by Donald E. Westlake This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: They Also Serve Author: Donald E. Westlake Release Date: November 14, 2009 [EBook #30474] Language: English Character set encoding: UTF-8 *** START OF THIS PROJECT GUTENBERG EBOOK THEY ALSO SERVE *** Produced by Greg Weeks, Barbara Tozier and the Online Distributed Proofreading Team at http://www.pgdp.net
This etext was produced from Analog Science Fact & Fiction September 1961. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.
The launch carrying the
mail, supplies and replacements
eased slowly
in toward the base,
keeping the bulk of the
Moon between itself and Earth. Captain
Ebor, seated at the controls, guided
the ship to the rocky uneven
ground with the easy carelessness of
long practice, then cut the drive, got
to his walking tentacles, and
stretched. Donning his spacesuit, he
left the ship to go over to the dome
and meet Darquelnoy, the base commander.
An open ground-car was waiting for him beside the ship. The driver, encased in his spacesuit, crossed tentacles in a sloppy salute, and Ebor returned the gesture quite as sloppily. Here on the periphery, cast formalities were all but dispensed with.
Ebor stood for a moment and watched the unloading. The cargo crew, used to working in spacesuits, had one truck already half full. The replacements, unused to spacesuits and, in addition, awed and a bit startled by the bleakness of this satellite, were moving awkwardly down the ramp.
Satisfied that the unloading was proceeding smoothly, Ebor climbed aboard the ground-car, awkward in his suit, and settled back heavily in the seat to try to get used to gravity again. The gravity of this Moon was slight, of course—barely one-sixth the gravity of the Home World or most of the colonies—but it still took getting used to, after a long trip in free-fall.
The driver sat at the controls, and the car jerked into motion. Ebor, looking up, noticed for the first time that the dome wasn’t there any more. The main dome, housing the staff and equipment of the base, just wasn’t there.
And the driver, he now saw, was aiming the car toward the nearby crater wall. Extending two of his eyes till they almost touched the face-plate of his helmet, he could see activity at the base of the crater wall, and what looked like an air-lock entrance. He wondered what had caused the change, which had obviously been done at top speed. The last time he’d been here, not very long ago, the dome had still been intact, and there had been no hint of any impending move underground.
The driver steered the car into the open air lock, and they waited until the first cargo truck had lumbered in after them. Then the outer door closed, the pumps were turned on, and in a minute the red light flashed over the inner door. Ebor removed the spacesuit gratefully, left it in the car, and walked clumsily through the inner door into the new base.
A good job had been done on it, for all the speed. Rooms and corridors has been melted out of the rock, the floors had been carpeted, the walls painted, and the ceiling lined with light panels. All of the furnishings had been transferred here from the original dome, and the result looked, on the whole, quite livable. As livable as the dome had been, at least.
But the base commander, Darquelnoy, waiting for his old friend Ebor near the inner door of the lock, looked anything but happy with the arrangement. At Ebor’s entrance he raised a limp tentacle in weary greeting and said, “Come in, my friend, come in. Tell me the new jokes from home. I could use some cheering up.”
“None worth telling,” said Ebor. He looked around. “What’s happened here?” he asked. “Why’ve you gone underground? Why do you need cheering up?”
Darquelnoy clicked his eyes in despair. “Those things!” he cried. “Those annoying little creatures on that blasted planet up there!”
Ebor repressed an amused ripple. He knew Darquelnoy well enough to know that the commander invariably overstated things. “What’ve they been up to, Dar?” he asked. “Come on, you can tell me over a hot cup of restno.”
“I’ve been practically living on the stuff for the last two dren,” said Darquelnoy hopelessly. “Well, I suppose another cup won’t kill me. Come on to my quarters.”
“I’ve worked up a fine thirst on the trip,” Ebor told him.
The two walked down the long corridor together and Ebor said, “Well? What happened?”
“They came here,” Darquelnoy told him simply. At Ebor’s shocked look, he rippled in wan amusement and said, “Oh, it wasn’t as bad as it might have been, I suppose. It was just that we had to rush around so frantically, unloading and dismantling the dome, getting this place ready—”
“What do you mean, they came here?” demanded Ebor.
“They are absolutely the worst creatures for secrecy in the entire galaxy!” exclaimed Darquelnoy in irritation. “Absolutely the worst.”
“Then you’ve picked up at least one of their habits,” Ebor told him. “Now stop talking in circles and tell me what happened.”
“They built a spaceship, is the long and the short of it,” Darquelnoy answered.
Ebor stopped in astonishment. “No!”
“Don’t tell me no!” cried Darquelnoy. “I saw it!” He was obviously at his wit’s end.
“It’s unbelievable,” said Ebor.
“I know,” said Darquelnoy. He led the way into his quarters, motioned Ebor to a perch, and rang for his orderly. “It was just a little remote-controlled apparatus, of course,” he said. “The fledgling attempt, you know. But it circled this Moon here, busily taking pictures, and went right back to the planet again, giving us all a terrible fright. There hadn’t been the slightest indication they were planning anything that spectacular.”
“None?” asked Ebor. “Not a hint?”
“Oh, they’ve been boasting about doing some such thing for ages,” Darquelnoy told him. “But there was never any indication that they were finally serious about it. They have all sorts of military secrecy, of course, and so you never know a thing is going to happen until it does.”
“Did they get a picture of the dome?”
“Thankfully, no. And before they had a chance to try again, I whipped everything underground.”
“It must have been hectic,” Ebor said sympathetically.
“It was,” said Darquelnoy simply.
The orderly entered. Darquelnoy told him, “Two restno,” and he left again.
“I can’t imagine them making a spaceship,” said Ebor thoughtfully. “I would have thought they’d have blown themselves up long before reaching that stage.”
“I would have thought so, too,” said Darquelnoy. “But there it is. At the moment, they’ve divided themselves into two camps—generally speaking, that is—and the two sides are trying like mad to outdo each other in everything. As a part of it, they’re shooting all sorts of rubbish into space and crowing every time a piece of the other side’s rubbish malfunctions.”
“They could go on that way indefinitely,” said Ebor.
“I know,” said Darquelnoy gloomily. “And here we sit.”
Ebor nodded, studying his friend. “You don’t suppose this is all a waste of time, do you?” he asked, after a minute.
Darquelnoy shook a tentacle in negation. “Not at all, not at all. They’ll get around to it, sooner or later. They’re still boasting themselves into the proper frame of mind, that’s all.”
Ebor rippled in sympathetic amusement. “I imagine you sometimes wish you could give them a little prodding in the right direction,” he said.
Darquelnoy fluttered his tentacles in horror, crying, “Don’t even think of such a thing!”
“I know, I know,” said Ebor hastily. “The laws—”
“Never mind the laws,” snapped Darquelnoy. “I’m not even thinking about the laws. Frankly, if it would do any good, I might even consider breaking one or two of the laws, and the devil with my conditioning.”
“You are upset,” said Ebor at that.
“But if we were to interfere with those creatures up there,” continued Darquelnoy, “interfere with them in any way at all, it would be absolutely disastrous.”
The orderly returned at that point, with two steaming cups of restno. Darquelnoy and Ebor accepted the cups and the orderly left, making a sloppy tentacle-cross salute, which the two ignored.
“I wasn’t talking necessarily about attacking them, you know,” said Ebor, returning to the subject.
“Neither was I,” Darquelnoy told him. “We wouldn’t have to attack them. All we would have to do is let them know we’re here. Not even why we’re here, just the simple fact of our presence. That would be enough. They would attack us.”
Ebor extended his eyes in surprise. “As vicious as all that?”
“Chilling,” Darquelnoy told him. “Absolutely chilling.”
“Then I’m surprised they haven’t blown themselves to pieces long before this.”
“Oh, well,” said Darquelnoy, “you see, they’re cowards, too. They have to boast and brag and shout a while before they finally get to clawing and biting at one another.”
Ebor waved a tentacle. “Don’t make it so vivid.”
“Sorry,” apologized Darquelnoy. He drained his cup of restno. “Out here,” he said, “living next door to the little beasts day after day, one begins to lose one’s sensibilities.”
“It has been a long time,” agreed Ebor.
“Longer than we had originally anticipated,” Darquelnoy said frankly. “We’ve been ready to move in for I don’t know how long. And instead we just sit here and wait. Which isn’t good for morale, either.”
“No, I don’t imagine it is.”
“There’s already a theory among some of the workmen that the blow-up just isn’t going to happen, ever. And since that ship went circling by, of course, morale has hit a new low.”
“It would have been nasty if they’d spotted you,” said Ebor.
“Nasty?” echoed Darquelnoy. “Catastrophic, you mean. All that crowd up there needs is an enemy, and it doesn’t much matter to them who that enemy is. If they were to suspect that we were here, they’d forget their own little squabbles at once and start killing us instead. And that, of course, would mean that they’d be united, for the first time in their history, and who knows how long it would take them before they’d get back to killing one another again.”
“Well,” said Ebor, “you’re underground now. And it can’t possibly take them too much longer.”
“One wouldn’t think so,” agreed Darquelnoy. “In a way,” he added, “that spaceship was a hopeful sign. It means that they’ll be sending a manned ship along pretty soon, and that should do the trick. As soon as one side has a base on the Moon, the other side is bound to get things started.”
“A relief for you, eh?” said Ebor.
“You know,” said Darquelnoy thoughtfully, “I can’t help thinking I was born in the wrong age. All this scrabbling around, searching everywhere for suitable planets. Back when the Universe was younger, there were lots and lots of planets to colonize. Now the old problem of half-life is taking its toll, and we can’t even hope to keep up with the birth rate any more. If it weren’t for the occasional planets like that one up there, I don’t know what we’d do.”
“Don’t worry,” Ebor told him. “They’ll have their atomic war pretty soon, and leave us a nice high-radiation planet to colonize.”
“I certainly hope it’s soon,” said Darquelnoy. “This waiting gets on one’s nerves.” He rang for the orderly.
THE END
End of the Project Gutenberg EBook of They Also Serve, by Donald E. Westlake
*** END OF THIS PROJECT GUTENBERG EBOOK THEY ALSO SERVE ***
***** This file should be named 30474-h.htm or 30474-h.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.org/3/0/4/7/30474/
Produced by Greg Weeks, Barbara Tozier and the Online
Distributed Proofreading Team at http://www.pgdp.net
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.net/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.net
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.net),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation."
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.
Section 3. Information about the Project Gutenberg Literary Archive
Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
gbnewby@pglaf.org
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations. To donate, please visit: http://pglaf.org/donate
Section 5. General Information About Project Gutenberg-tm electronic
works.
Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone. For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.
Most people start at our Web site which has the main PG search facility:
http://www.gutenberg.net
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.