The Project Gutenberg EBook of The French Immortals, by Various
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
Title: The French Immortals
Quotes And Images
Author: Various
Editor: David Widger
Release Date: July 13, 2009 [EBook #29402]
Last Updated: October 26, 2012
Language: English
Character set encoding: ISO-8859-1
*** START OF THIS PROJECT GUTENBERG EBOOK THE FRENCH IMMORTALS ***
Produced by David Widger
>
| THE INK STAIN | Rene Bazin |
| JACQUELINE | Therese Bentzon (Mme. Blanc) |
| GERFAUT | Charles de Bernard |
| COSMOPOLIS | Paul Bourget |
| PRINCE ZILAH | Jules Caretie |
| A ROMANCE OF YOUTH | Francois Coppee |
| FROMONT AND RISLER | Alphonse Daudet |
| CINQ MARS | Alfred de Vigny |
| M.M. AND BEBE | Gustave Droz |
| MONSIEUR DE CAMORS | Octave Feuillet |
| THE RED LILY | Anatole France |
| ABBE CONSTANTIN | Ludovic Halevey |
| CHRYSANTHEME | Pierre Loti |
| CONSCIENCE | Hector Malot |
| ZIBELINE | Phillipe de Massa |
| THE CHILD OF A CENTURY | Alfred de Musset |
| SERGE PANINE | George Ohnet |
| AN "ATTIC" PHILOSOPHER | Emile Souvestre |
| A WOODLAND QUEEN | Andre Theuriet |
All that a name is to a street— its honor, its spouse Came not in single spies, but in battalions Distrust first impulse Felix culpa Happy men don't need company Hard that one can not live one's life over twice He always loved to pass for being overwhelmed with work I don't call that fishing If trouble awaits us, hope will steal us a happy hour or two Lends—I should say gives Men forget sooner Natural only when alone, and talk well only to themselves Obstacles are the salt of all our joys One doesn't offer apologies to a man in his wrath People meeting to "have it out" usually say nothing at first Silence, alas! is not the reproof of kings alone Skilful actor, who apes all the emotions while feeling none Sorrows shrink into insignificance as the horizon broadens Surprise goes for so much in what we admire The very smell of books is improving The looks of the young are always full of the future There are some blunders that are lucky; but you can't tell To be your own guide doubles your pleasure You a law student, while our farmers are in want of hands You must always first get the tobacco to burn evenly You ask Life for certainties, as if she had any to give you
A familiarity which, had he known it, was not flattering A mother's geese are always swans As we grow older we lay aside harsh judgments and sharp words Bathers, who exhibited themselves in all degrees of ugliness Blow which annihilates our supreme illusion Death is not that last sleep Fool (there is no cure for that infirmity) Fred's verses were not good, but they were full of dejection Great interval between a dream and its execution Hang out the bush, but keep no tavern His sleeplessness was not the insomnia of genius Importance in this world are as easily swept away as the sand Music—so often dangerous to married happiness Natural longing, that we all have, to know the worst Notion of her husband's having an opinion of his own Old women—at least thirty years old! Pride supplies some sufferers with necessary courage Seemed to enjoy themselves, or made believe they did Seldom troubled himself to please any one he did not care for Small women ought not to grow stout Sympathetic listening, never having herself anything to say The bandage love ties over the eyes of men The worst husband is always better than none This unending warfare we call love Unwilling to leave him to the repose he needed Waste all that upon a thing that nobody will ever look at Women who are thirty-five should never weep
Antipathy for her husband bordering upon aversion Attractions that difficulties give to pleasure Attractive abyss of drunkenness Consented to become a wife so as not to remain a maiden Despotic tone which a woman assumes when sure of her empire Evident that the man was above his costume; a rare thing! I believed it all; one is so happy to believe! It is a terrible step for a woman to take, from No to Yes Lady who requires urging, although she is dying to sing Let them laugh that win! Let ultra-modesty destroy poetry Love is a fire whose heat dies out for want of fuel Mania for fearing that she may be compromised Material in you to make one of Cooper's redskins Misfortunes never come single No woman is unattainable, except when she loves another Obstinacy of drunkenness Recourse to concessions is often as fatal to women as to kings Regards his happiness as a proof of superiority She said yes, so as not to say no These are things that one admits only to himself Those whom they most amuse are those who are best worth amusing Topics that occupy people who meet for the first time Trying to conceal by a smile (a blush) When one speaks of the devil he appears Wiped his nose behind his hat, like a well-bred orator You are playing 'who loses wins!'
Conditions of blindness so voluntary that they become complicity Despotism natural to puissant personalities Egyptian tobacco, mixed with opium and saltpetre Follow their thoughts instead of heeding objects Has as much sense as the handle of a basket Have never known in the morning what I would do in the evening I no longer love you Imagine what it would be never to have been born Mediocre sensibility Melancholy problem of the birth and death of love Mobile and complaisant conscience had already forgiven himself No flies enter a closed mouth Not an excuse, but an explanation of your conduct One of those trustful men who did not judge when they loved Only one thing infamous in love, and that is a falsehood Pitiful checker-board of life Scarcely a shade of gentle condescension Sufficed him to conceive the plan of a reparation That suffering which curses but does not pardon That you can aid them in leading better lives? The forests have taught man liberty There is an intelligent man, who never questions his ideas There is always and everywhere a duty to fulfil Thinking it better not to lie on minor points Too prudent to risk or gain much Walked at the rapid pace characteristic of monomaniacs Words are nothing; it is the tone in which they are uttered
A man's life belongs to his duty, and not to his happiness All defeats have their geneses An hour of rest between two ordeals, a smile between two sobs Anonymous, that velvet mask of scandal-mongers At every step the reality splashes you with mud Bullets are not necessarily on the side of the right Does one ever forget? Foreigners are more Parisian than the Parisians themselves History is written, not made. "I might forgive," said Andras; "but I could not forget" If well-informed people are to be believe Insanity is, perhaps, simply the ideal realized It is so good to know nothing, nothing, nothing Let the dead past bury its dead! Life is a tempest Man who expects nothing of life except its ending Nervous natures, as prompt to hope as to despair No answer to make to one who has no right to question me Not only his last love, but his only love Nothing ever astonishes me One of those beings who die, as they have lived, children Pessimism of to-day sneering at his confidence of yesterday Playing checkers, that mimic warfare of old men Poverty brings wrinkles Sufferer becomes, as it were, enamored of his own agony Superstition which forbids one to proclaim his happiness Taken the times as they are The Hungarian was created on horseback There were too many discussions, and not enough action Unable to speak, for each word would have been a sob What matters it how much we suffer Why should I read the newspapers? Willingly seek a new sorrow Would not be astonished at anything You suffer? Is fate so just as that
Break in his memory, like a book with several leaves torn out Dreams, instead of living Egotists and cowards always have a reason for everything Eternally condemned to kill each other in order to live Fortunate enough to keep those one loves God forgive the timid and the prattler! Good form consists, above all things, in keeping silent Happiness exists only by snatches and lasts only a moment He does not know the miseries of ambition and vanity He almost regretted her How sad these old memorics are in the autumn Inoffensive tree which never had harmed anybody Intimate friend, whom he has known for about five minutes It was all delightfully terrible! Learned that one leaves college almost ignorant Mild, unpretentious men who let everybody run over them My good fellow, you are quite worthless as a man of pleasure Never travel when the heart is troubled! Not more honest than necessary Now his grief was his wife, and lived with him Paint from nature Poor France of Jeanne d'Arc and of Napoleon Redouble their boasting after each defeat Society people condemned to hypocrisy and falsehood Take their levity for heroism Tediousness seems to ooze out through their bindings The leaves fall! the leaves fall! The sincere age when one thinks aloud Tired smile of those who have not long to live Trees are like men; there are some that have no luck Universal suffrage, with its accustomed intelligence Upon my word, there are no ugly ones (women) Very young, and was in love with love Voice of the heart which alone has power to reach the heart Were certain against all reason When he sings, it is because he has something to sing about
A man may forgive, but he never forgets Abundant details which he sometimes volunteered Affectation of indifference Always smiling condescendingly Charm of that one day's rest and its solemnity Clashing knives and forks mark time Convent of Saint Joseph, four shoes under the bed! Deeming every sort of occupation beneath him Dreams of wealth and the disasters that immediately followed Exaggerated dramatic pantomime Faces taken by surprise allow their real thoughts to be seen He fixed the time mentally when he would speak Little feathers fluttering for an opportunity to fly away Make for themselves a horizon of the neighboring walls and roofs No one has ever been able to find out what her thoughts were Pass half the day in procuring two cakes, worth three sous She was of those who disdain no compliment Such artificial enjoyment, such idiotic laughter Superiority of the man who does nothing over the man who works Terrible revenge she would take hereafter for her sufferings The poor must pay for all their enjoyments The groom isn't handsome, but the bride's as pretty as a picture Void in her heart, a place made ready for disasters to come Wiping his forehead ostentatiously Word "sacrifice," so vague on careless lips Would have liked him to be blind only so far as he was concerned
A cat is a very fine animal. It is a drawing-room tiger A queen's country is where her throne is Adopted fact is always better composed than the real one Advantage that a calm temper gives one over men All that he said, I had already thought Always the first word which is the most difficult to say Ambition is the saddest of all hopes Art is the chosen truth Artificialities of style of that period Artistic Truth, more lofty than the True As Homer says, "smiling under tears" Assume with others the mien they wore toward him But how avenge one's self on silence? Dare now to be silent when I have told you these things Daylight is detrimental to them Deny the spirit of self-sacrifice Difference which I find between Truth in art and the True in fac Doubt, the greatest misery of love Friendship exists only in independence and a kind of equality Happy is he who does not outlive his youth Hatred of everything which is superior to myself He did not blush to be a man, and he spoke to men with force Hermits can not refrain from inquiring what men say of them History too was a work of art I have burned all the bridges behind me In pitying me he forgot himself In every age we laugh at the costume of our fathers In times like these we must see all and say all It is not now what it used to be It is too true that virtue also has its blush Lofty ideal of woman and of love Men are weak, and there are things which women must accomplish Money is not a common thing between gentlemen like you and me Monsieur, I know that I have lived too long Neither idealist nor realist Never interfered in what did not concern him No writer had more dislike of mere pedantry Offices will end by rendering great names vile Princes ought never to be struck, except on the head Princesses ceded like a town, and must not even weep Principle that art implied selection Recommended a scrupulous observance of nature Remedy infallible against the plague and against reserve Reproaches are useless and cruel if the evil is done Should be punished for not having known how to punish So strongly does force impose upon men Tears for the future The great leveller has swung a long scythe over France The most in favor will be the soonest abandoned by him The usual remarks prompted by imbecility on such occasions These ideas may serve as opium to produce a calm They tremble while they threaten They have believed me incapable because I was kind They loved not as you love, eh? This popular favor is a cup one must drink This was the Dauphin, afterward Louis XIV True talent paints life rather than the living Truth, I here venture to distinguish from that of the True Urbain Grandier What use is the memory of facts, if not to serve as an example Woman is more bitter than death, and her arms are like chains Yes, we are in the way here
A ripe husband, ready to fall from the tree Affection is catching All babies are round, yielding, weak, timid, and soft And I shall say 'damn it,' for I shall then be grown up Answer "No," but with a little kiss which means "Yes" As regards love, intention and deed are the same But she thinks she is affording you pleasure Clumsily, blew his nose, to the great relief of his two arms Do not seek too much Emotion when one does not share it First impression is based upon a number of trifles He Would Have Been Forty Now Hearty laughter which men affect to assist digestion How many things have not people been proud of How rich we find ourselves when we rummage in old drawers Husband who loves you and eats off the same plate is better I would give two summers for a single autumn I do not accept the hypothesis of a world made for us I came here for that express purpose I am not wandering through life, I am marching on Ignorant of everything, undesirous of learning anything In his future arrange laurels for a little crown for your own It (science) dreams, too; it supposes It is silly to blush under certain circumstances Learned to love others by embracing their own children Life is not so sweet for us to risk ourselves in it singlehanded Love in marriage is, as a rule, too much at his ease Man is but one of the links of an immense chain Rather do not give—make yourself sought after Reckon yourself happy if in your husband you find a lover Recollection of past dangers to increase the present joy Respect him so that he may respect you Shelter himself in the arms of the weak and recover courage Sometimes like to deck the future in the garments of the past The heart requires gradual changes The future that is rent away The recollection of that moment lasts for a lifetime The future promises, it is the present that pays Their love requires a return There are pious falsehoods which the Church excuses Ties that unite children to parents are unloosed Ties which unite parents to children are broken To be able to smoke a cigar without being sick To love is a great deal—To know how to love is everything We are simple to this degree, that we do not think we are When time has softened your grief Why mankind has chosen to call marriage a man-trap
A man never should kneel unless sure of rising a conqueror A defensive attitude is never agreeable to a man Bad to fear the opinion of people one despises Believing that it is for virtue's sake alone such men love them Camors refused, hesitated, made objections, and consented Confounding progress with discord, liberty with license Contempt for men is the beginning of wisdom Cried out, with the blunt candor of his age Dangers of liberty outweighed its benefits Demanded of him imperatively—the time of day Determined to cultivate ability rather than scrupulousness Disenchantment which follows possession Do not get angry. Rarely laugh, and never weep Every one is the best judge of his own affairs Every road leads to Rome—and one as surely as another Every cause that is in antagonism with its age commits suicide God—or no principles! Have not that pleasure, it is useless to incur the penalties He is charming, for one always feels in danger near him Inconstancy of heart is the special attribute of man Intemperance of her zeal and the acrimony of her bigotry Knew her danger, and, unlike most of them, she did not love it Man, if he will it, need not grow old: the lion must Never can make revolutions with gloves on Once an excellent remedy, is a detestable regimen One of those pious persons who always think evil Pleasures of an independent code of morals Police regulations known as religion Principles alone, without faith in some higher sanction Property of all who are strong enough to stand it Put herself on good terms with God, in case He should exist 'Semel insanivimus omnes.' (every one has his madness) Slip forth from the common herd, my son, think for yourself Suspicion that he is a feeble human creature after all! There will be no more belief in Christ than in Jupiter Ties that become duties where we only sought pleasures Truth is easily found. I shall read all the newspapers Two persons who desired neither to remember nor to forget Whether in this world one must be a fanatic or nothing Whole world of politics and religion rushed to extremes With the habit of thinking, had not lost the habit of laughing You can not make an omelette without first breaking the eggs
A woman is frank when she does not lie uselessly A hero must be human. Napoleon was human Anti-Semitism is making fearful progress everywhere Brilliancy of a fortune too new Curious to know her face of that day Disappointed her to escape the danger she had feared Do you think that people have not talked about us? Does not wish one to treat it with either timidity or brutality Does one ever possess what one loves? Each had regained freedom, but he did not like to be alone Each was moved with self-pity Everybody knows about that Fringe which makes an unlovely border to the city Gave value to her affability by not squandering it He could not imagine that often words are the same as actions He studied until the last moment He is not intelligent enough to doubt He does not bear ill-will to those whom he persecutes He knew now the divine malady of love Her husband had become quite bearable His habit of pleasing had prolonged his youth (Housemaid) is trained to respect my disorder I love myself because you love me I can forget you only when I am with you I wished to spoil our past I feel in them (churches) the grandeur of nothingness I have to pay for the happiness you give me I gave myself to him because he loved me I haven't a taste, I have tastes I have known things which I know no more I do not desire your friendship Ideas they think superior to love— faith, habits, interests Immobility of time Impatient at praise which was not destined for himself Incapable of conceiving that one might talk without an object It was torture for her not to be able to rejoin him It is an error to be in the right too soon It was too late: she did not wish to win Jealous without having the right to be jealous Kisses and caresses are the effort of a delightful despair Knew that life is not worth so much anxiety nor so much hope Laughing in every wrinkle of his face Learn to live without desire Let us give to men irony and pity as witnesses and judges Life as a whole is too vast and too remote Life is made up of just such trifles Life is not a great thing Little that we can do when we are powerful Love is a soft and terrible force, more powerful than beauty Love was only a brief intoxication Lovers never separate kindly Made life give all it could yield Magnificent air of those beggars of whom small towns are proud Miserable beings who contribute to the grandeur of the past Nobody troubled himself about that originality None but fools resisted the current Not everything is known, but everything is said Nothing is so legitimate, so human, as to deceive pain One would think that the wind would put them out: the stars One who first thought of pasting a canvas on a panel One is never kind when one is in love One should never leave the one whom one loves Picturesquely ugly Recesses of her mind which she preferred not to open Relatives whom she did not know and who irritated her Seemed to him that men were grains in a coffee-mill She pleased society by appearing to find pleasure in it She is happy, since she likes to remember Should like better to do an immoral thing than a cruel one Simple people who doubt neither themselves nor others Since she was in love, she had lost prudence So well satisfied with his reply that he repeated it twice Superior men sometimes lack cleverness That sort of cold charity which is called altruism That if we live the reason is that we hope That absurd and generous fury for ownership The most radical breviary of scepticism since Montaigne The door of one's room opens on the infinite The past is the only human reality— Everything that is, is past The one whom you will love and who will love you will harm you The violent pleasure of losing The discouragement which the irreparable gives The real support of a government is the Opposition The politician never should be in advance of circumstances There is nothing good except to ignore and to forget There are many grand and strong things which you do not feel They are the coffin saying: 'I am the cradle' To be beautiful, must a woman have that thin form Trying to make Therese admire what she did not know Umbrellas, like black turtles under the watery skies Unfortunate creature who is the plaything of life Was I not warned enough of the sadness of everything? We are too happy; we are robbing life What will be the use of having tormented ourselves in this world Whether they know or do not know, they talk Women do not always confess it, but it is always their fault You must take me with my own soul!
Ancient pillars of stone, embrowned and gnawed by time And they are shoulders which ought to be seen Believing themselves irresistible But she will give me nothing but money Duty, simply accepted and simply discharged Frenchman has only one real luxury—his revolutions God may have sent him to purgatory just for form's sake Great difference between dearly and very much Had not told all—one never does tell all He led the brilliant and miserable existence of the unoccupied If there is one! (a paradise) In order to make money, the first thing is to have no need of it Love and tranquillity seldom dwell at peace in the same heart Never foolish to spend money. The folly lies in keeping it Often been compared to Eugene Sue, but his touch is lighter One half of his life belonged to the poor One may think of marrying, but one ought not to try to marry Succeeded in wearying him by her importunities and tenderness The women have enough religion for the men The history of good people is often monotonous or painful To learn to obey is the only way of learning to command
Ah! the natural perversity of inanimate things Contemptuous pity, both for my suspicions and the cause of them Dull hours spent in idle and diffuse conversation Efforts to arrange matters we succeed often only in disarranging Found nothing that answered to my indefinable expectations Habit turns into a makeshift of attachment I know not what lost home that I have failed to find Irritating laugh which is peculiar to Japan Japanese habit of expressing myself with excessive politeness Ordinary, trivial, every-day objects Prayers swallowed like pills by invalids at a distance Seeking for a change which can no longer be found Trees, dwarfed by a Japanese process When the inattentive spirits are not listening Which I should find amusing in any one else,—any one I loved
As ignorant as a schoolmaster As free from prejudices as one may be, one always retains a few Confidence in one's self is strength, but it is also weakness Conscience is a bad weighing-machine Conscience is only an affair of environment and of education Find it more easy to make myself feared than loved For the rest of his life he would be the prisoner of his crime Force, which is the last word of the philosophy of life He did not sleep, so much the better! He would work more I believed in the virtue of work, and look at me! In his eyes everything was decided by luck Intelligent persons have no remorse It is the first crime that costs It is only those who own something who worry about the price Leant—and when I did not lose my friends I lost my money Leisure must be had for light reading, and even more for love Looking for a needle in a bundle of hay Neither so simple nor so easy as they at first appeared One does not judge those whom one loves People whose principle was never to pay a doctor Power to work, that was never disturbed or weakened by anything Reason before the deed, and not after Repeated and explained what he had already said and explained She could not bear contempt The strong walk alone because they need no one We are so unhappy that our souls are weak against joy We weep, we do not complain Will not admit that conscience is the proper guide of our action You love me, therefore you do not know me
All that was illogical in our social code Ambiguity has no place, nor has compromise But if this is our supreme farewell, do not tell me so! Chain so light yesterday, so heavy to-day Every man is his own master in his choice of liaisons If I do not give all I give nothing Indulgence of which they stand in need themselves Life goes on, and that is less gay than the stories Men admired her; the women sought some point to criticise Only a man, wavering and changeable Ostensibly you sit at the feast without paying the cost Paris has become like a little country town in its gossip The night brings counsel Their Christian charity did not extend so far as that There are mountains that we never climb but once You are in a conquered country, which is still more dangerous
A terrible danger lurks in the knowledge of what is possible Accustomed to call its disguise virtue Adieu, my son, I love you and I die All philosophy is akin to atheism All that is not life, it is the noise of life And when love is sure of itself and knows response Because you weep, you fondly imagine yourself innocent Become corrupt, and you will cease to suffer Began to forget my own sorrow in my sympathy for her Beware of disgust, it is an incurable evil Can any one prevent a gossip Cold silence, that negative force Contrive to use proud disdain as a shield Death is more to be desired than a living distaste for life Despair of a man sick of life, or the whim of a spoiled child Do they think they have invented what they see Each one knows what the other is about to say Fool who destroys his own happiness Force itself, that mistress of the world Funeral processions are no longer permitted Galileo struck the earth, crying: "Nevertheless it moves!" Good and bad days succeeded each other almost regularly Great sorrows neither accuse nor blaspheme—they listen Grief itself was for her but a means of seducing Happiness of being pursued He who is loved by a beautiful woman is sheltered from every blow He lives only in the body How much they desire to be loved who say they love no more Human weakness seeks association I can not be near you and separated from you at the same moment I can not love her, I can not love another I boasted of being worse than I really was I neither love nor esteem sadness I do not intend either to boast or abase myself Ignorance into which the Greek clergy plunged the laity In what do you believe? Indignation can solace grief and restore happiness Is he a dwarf or a giant Is it not enough to have lived? It is a pity that you must seek pastimes Make a shroud of your virtue in which to bury your crimes Man who suffers wishes to make her whom he loves suffer Men doubted everything: the young men denied everything No longer esteemed her highly enough to be jealous of her Of all the sisters of love, the most beautiful is pity Perfection does not exist Pure caprice that I myself mistook for a flash of reason Quarrel had been, so to speak, less sad than our reconciliation Reading the Memoirs of Constant Resorted to exaggeration in order to appear original Sceptic regrets the faith he has lost the power to regain Seven who are always the same: the first is called hope She pretended to hope for the best Sometimes we seem to enjoy unhappiness "Speak to me of your love," she said, "not of your grief" St. Augustine Suffered, and yet took pleasure in it Suspicions that are ever born anew Terrible words; I deserve them, but they will kill me There are two different men in you Ticking of which (our arteries) can be heard only at night "Unhappy man!" she cried, "you will never know how to love" We have had a mass celebrated, and it cost us a large sum What you take for love is nothing more than desire What human word will ever express thy slightest caress When passion sways man, reason follows him weeping and warning Who has told you that tears can wash away the stains of guilt Wine suffuses the face as if to prevent shame appearing there You believe in what is said here below and not in what is done You play with happiness as a child plays with a rattle You turn the leaves of dead books Your great weapon is silence Youth is to judge of the world from first impressions
A man weeps with difficulty before a woman A uniform is the only garb which can hide poverty honorably Antagonism to plutocracy and hatred of aristocrats Because they moved, they thought they were progressing Cowardly in trouble as he had been insolent in prosperity Enough to be nobody's unless I belong to him Even those who do not love her desire to know her Everywhere was feverish excitement, dissipation, and nullity Flayed and roasted alive by the critics Forget a dream and accept a reality Hard workers are pitiful lovers He lost his time, his money, his hair, his illusions He was very unhappy at being misunderstood Heed that you lose not in dignity what you gain in revenge I thought the best means of being loved were to deserve it I don't pay myself with words Implacable self-interest which is the law of the world In life it is only nonsense that is common-sense Is a man ever poor when he has two arms? Is it by law only that you wish to keep me? It was a relief when they rose from the table Men of pleasure remain all their lives mediocre workers Money troubles are not mortal My aunt is jealous of me because I am a man of ideas Negroes, all but monkeys! Nothing that provokes laughter more than a disappointed lover One amuses one's self at the risk of dying Patience, should he encounter a dull page here or there Romanticism still ferments beneath the varnish of Naturalism Sacrifice his artistic leanings to popular caprice Scarcely was one scheme launched when another idea occurred She would have liked the world to be in mourning Suffering is a human law; the world is an arena Talk with me sometimes. You will not chatter trivialities The guilty will not feel your blows, but the innocent The uncontested power which money brings They had only one aim, one passion—to enjoy themselves Unqualified for happiness We had taken the dream of a day for eternal happiness What is a man who remains useless Without a care or a cross, he grew weary like a prisoner You are talking too much about it to be sincere
Always to mistake feeling for evidence Ambroise Pare: 'I tend him, God cures him!' Are we then bound to others only by the enforcement of laws Attach a sense of remorse to each of my pleasures Brought them up to poverty But above these ruins rises a calm and happy face Carn-ival means, literally, "farewell to flesh!" Coffee is the grand work of a bachelor's housekeeping Contemptuous pride of knowledge Death, that faithful friend of the wretched Defeat and victory only displace each other by turns Did not think the world was so great Do they understand what makes them so gay? Each of us regards himself as the mirror of the community Ease with which the poor forget their wretchedness Every one keeps his holidays in his own way Fame and power are gifts that are dearly bought Favorite and conclusive answer of his class—"I know" Fear of losing a moment from business Finishes his sin thoroughly before he begins to repent Fortune sells what we believe she gives Her kindness, which never sleeps Houses are vessels which take mere passengers Hubbub of questions which waited for no reply I make it a rule never to have any hope Ignorant of what there is to wish for Looks on an accomplished duty neither as a merit nor a grievance Make himself a name: he becomes public property Moderation is the great social virtue More stir than work My patronage has become her property No one is so unhappy as to have nothing to give Not desirous to teach goodness Nothing is dishonorable which is useful Our tempers are like an opera-glass Poverty, you see, is a famous schoolmistress Power of necessity Prisoners of work Progress can never be forced on without danger Question is not to discover what will suit us Richer than France herself, for I have no deficit in my budget Ruining myself, but we must all have our Carnival Satisfy our wants, if we know how to set bounds to them Sensible man, who has observed much and speaks little So much confidence at first, so much doubt at las Sullen tempers are excited by the patience of their victims The happiness of the wise man costs but little The man in power gives up his peace Two thirds of human existence are wasted in hesitation Virtue made friends, but she did not take pupils We do not understand that others may live on their own account We are not bound to live, while we are bound to do our duty What have you done with the days God granted you What a small dwelling joy can live You may know the game by the lair
Accustomed to hide what I think Amusements they offered were either wearisome or repugnant Consoled himself with one of the pious commonplaces Dreaded the monotonous regularity of conjugal life Fawning duplicity Had not been spoiled by Fortune's gifts How small a space man occupies on the earth Hypocritical grievances I am not in the habit of consulting the law I measure others by myself It does not mend matters to give way like that Like all timid persons, he took refuge in a moody silence More disposed to discover evil than good Nature's cold indifference to our sufferings Never is perfect happiness our lot Opposing his orders with steady, irritating inertia Others found delight in the most ordinary amusements Plead the lie to get at the truth Sensitiveness and disposition to self-blame The ease with which he is forgotten There are some men who never have had any childhood Those who have outlived their illusions Timidity of a night-bird that is made to fly in the day To make a will is to put one foot into the grave Toast and white wine (for breakfast) Vague hope came over him that all would come right Vexed, act in direct contradiction to their own wishes Women: they are more bitter than death Yield to their customs, and not pooh-pooh their amusements You have considerable patience for a lover You must be pleased with yourself—that is more essential
If you wish to read the entire context of any of these quotations, select a short segment and copy it into your clipboard memory—then open the appropriate eBook and paste the phrase into your computer's find or search operation.
These quotations were collected from the works of the author by David Widger while he was preparing etexts for Project Gutenberg. Comments and suggestions will be most welcome.
End of the Project Gutenberg EBook of The French Immortals, by Various
*** END OF THIS PROJECT GUTENBERG EBOOK THE FRENCH IMMORTALS ***
***** This file should be named 29402-h.htm or 29402-h.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.org/2/9/4/0/29402/
Produced by David Widger
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation."
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need, are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.
Section 3. Information about the Project Gutenberg Literary Archive
Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
gbnewby@pglaf.org
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit: http://pglaf.org/donate
Section 5. General Information About Project Gutenberg-tm electronic
works.
Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone. For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.
Most people start at our Web site which has the main PG search facility:
http://www.gutenberg.org
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.